I would be thankful for every answer that can provide any clarity, whatsoever! Even if it's something like "HLG isn't fully supported yet and you have to find a workaround" or something. Can I do the same with Rec.709 as color mode or are the HDR-Tools only designed to work with BT.2020 color space as input?Īnd what also confuses me: Why is the footage blown out when I import it, but not in Davinci Resolve? If FCPX shows me the raw HDR data and thats why it's blown out, then why isn't it blown it in Resolve when I didn't apply any CST or LUT to it, yet?ĭo I even NEED to convert the gamma or can I just bring down the exposure? Is this, or something else, an option that I have? With BT.2020, I would import it and then use HDR-Tools to convert it to Rec.709 SDR. With Rec.709 FCPX can't even read the metadata correctly (with BT.2020 selected it shows me that it's "Rec.2020 HLG" footage). When I import my HLG2/rec.709 footage (in a Rec.709 Project), it looks completely blown out. Now, I would like to do my editing in Final Cut Pro, and it would be great if I could also do my colors in there, but FCPX is way more confusing. But what do I select as input gamma to transform to Rec.709? I've read that I should select Rec.2100 HLG, and somewhere else a dude said that that would be wrong and I should select Rec.2100 (Scene). For color space, I guess I would select Rec.709 as input for Rec.709 color mode, and Rec.2020 for BT.2020 color mode. But I haven't found obvious solutions for HLG2 gamma. This would seem very easy for something like SLog2 gamma with S-Gamut color, as you can simply select the options as input. Select input color space and gamma and the same for output, and you're done. In Davinci Resolve, people say to pick the Color Space Transform tool. I saw a dude on YouTube (Jason Vong) sharing these settings, and some of his footage looks really nice, so I decided to go with it.Īfter watching a couple videos, I think this is what the workflow usually looks like:ġ) Color and Gamma Transform or Conversion LUT to Rec.709 and Gamma 2.4Ģ) Basic exposure corrections BEFORE the Transform or LUT from 1)ģ) Creative Grading after Transform or LUT from 1) After very superficial research, I decided to go with a picture profile with HLG2 gamma and the color mode Rec.709 (NOT BT.2020) for video recording. So, I have a Sony A7C and I make guitar cover videos on YouTube. I can't find a definitive answer on the internet to the questions I'm about to ask. For the A7IV, use the A7SIII LUTs.I'm a noob when it comes to color grading. Again, this is only a starting point to start your grade and we recommend to do all the necessary adjustments before the LUT node such as tint, WB and contrast. Also, keep in mind that ND filters might cause some shifting in the tint. If you usually overexpose your footage, feel free to do so, but apply the LUT on a second node and adjust your exposure on a first node (in this way you will work on the log). If you shoot SLog3 that’s totally fine, but you might need to add a little bit of extra contrast. NOTE: Our Sony LUTs also work perfectly with the A7S III and the A7IV. cube files, such as DaVinci Resolve, Premiere Pro and Final Cut X.Ĭheck out this tutorial to see how to use the BUTTERY LUTs! Yep, just one LUT! Our LUTs are compatible with any software that support. Our LUTs work in every single lighting situation, at any ISO. In your editing or color grading software just apply the LUT to your footage and do the basic adjustments such as exposure, contrast, WB or tint as you like. The workflow is extremely simple: first of all, you need to shoot LOG and LOG only.
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